[Do whatever you like, but take each action with full awareness.]
[Darkness can never become ingrained because it it NOT.]
[Experiences are illusory: only the one who experiences them is true. Pay attention to the witness.]
[Do whatever you like, but take each action with full awareness.]
[Darkness can never become ingrained because it it NOT.]
[Experiences are illusory: only the one who experiences them is true. Pay attention to the witness.]
[The sense organs are windows, not projectors.]
[Not 'one remains' but 'two is gone'.]
[Trying to not think a thought gives energy to it, and it will come back to bother you.]
[The solution is always to watch.]
[The root is never above ground: attacking the visible is like fighting shadows.]
[Mind is like a crowd: we think something larger exists but there are only the individual thoughts arranged together tightly.]
[Pay attention to the gaps between thoughts.]
[Even clinging to a thought is not possible because it will eventually die: they aren't yours and don't belong to you—just visiting.]
[Watch for things that neither come nor go, like the sky.]
Notes app musings: proposals for resonate community to consider from a label perspective
[Show something that's unavailable and provide a means to signal intent with which to inform future decisions.]
if i have the space and freedom to give attention to others spontaneously, the same applies to self-care: there is no bad time to do it, be welcome.
How I got wealthy without working too hard
[Making money is a form of procrastination (option to decide later) and the cost of that option is inflation.]
[Big cities are a geographical rat-race: don't compete.]
Kaitlyn Aurelia Smith: Rare Things Grow
From EARS (2016). Mishmash of many exquisite textures: water glugging, saxophone flutters with delay and reverb, possessed drone voices, quartal harmonies, celestial singing, some shakers in just the right places. Hinting at indigenous musics through instrumentation and motifs, but unapologetically electronic, jazz, and modern. The cover art might be a good metaphor for how this strange and beautiful thing makes you want to keep staring, or listening.
You certainly can’t make a cake by collecting a few eggs in Asia and walking across an entire continent to where the wheat is, all while picking up milk and sugar somewhere along the way.
[Listen as if people are telling you a bedtime story.]
[When working on something you don't want for a while, the 'what I want' zone not only shuts down, but becomes associated with fear, sadness, pain, suppression.]
posted to Blog
Are We Living in a Golden Age?
[When something succeeds and everyone rushes in, creating a hug of death.]
The Phrase "No Evidence" Is A Red Flag For Bad Science Communication
[No evidence can indicate that 1) there were no studies; 2) there were studies proving the claim is false; 3) we assume it foolish to test.]
Asmaa Hamzaoui, Bnat Timbouktou: Oulad Lghaba (2019)
I love Gnawa music. Powerful sound from this all female group (the backup singers translate to “Timbuktu girls”). A smattering of polyrhythms everywhere makes it feel like there are usually multiple meters happening simultaneously. Listen to the intricate yet free-flowing ornamentation in the lead singer’s voice and to the bluesy notes of the guembri (like a bass). Hope I will have the privilege to hear them live some day; if you want to get some idea for how the music is performed, see this live concert from Poland.
Ondatrópica: 3 Reyes de la Terapia
From Ondatrópica (2012). Intense combination of beatboxing and breathing (or perhaps hyperventilating) with a repetitive pattern that seems like it’s performed live and not a copy/paste of the same audio. This backdrop makes a strange fusion with the Cumbia-style improvising accordion. Dark and interesting like chocolate 80% noir.
Jazz Pianist Reacts to SKATE by Anderson .Paak and Bruno Mars
I was once fascinated by the feeling of being moved nearly to tears by a series of chords, yet not able to explain what that means to people without lots of experience making music… Charles Cornell gets at some of this, albeit still talking to musicians, but with more heart-warming enthusiasm than I might display publicly (for something that can seem so technical): it’s clear that he has a strong personal and emotional connection to what he’s hearing, and that this is enriched by a deeper understanding of the materials. As he mentions, there are different ways to interpret musical harmony, but this might be a good way to get a glimpse at how music nerds (like me) hear songs. You might also learn a thing or two about theory, and share his excitement at how this song brings complex techniques into mainstream music.