Rosano / Journal

611 entries from "Toronto"

Thursday, July 6, 2023

How Google Reader died — and why the web misses it more than ever - The Verge

One feature took off immediately, for power users and casual readers alike: a simple sharing system that let users subscribe to see someone else’s starred items or share their collection of subscriptions with other people. The Reader team eventually built comments, a Share With Note feature, and more. All this now seems trite and obvious, of course, but at the time, a built-in way to see what your friends liked was novel and powerful. Reader was prescient.

Tuesday, July 4, 2023

Sunday, July 2, 2023

Friday, June 30, 2023

#246 – Doing Content Right with Steph Smith of Trends.co

[Podcasts like are best friends, newsletters like acquaintances, blogs like random people you meet at conferences. You may never even know pay attention to who's writing an article.]

[Smaller numbers but quality relationships with everyone learning and growing together]

[Podcasts are top of funnel and a big ask for people to listen for an hour. Strategically talk about the topic in other channels, and plug the podcast when it bites.]

[You wouldn't hang out with a friend for an hour a week if they had no sense of humour and were purely informational, the experience needs to be fun.]

Thursday, June 29, 2023

Friday, June 23, 2023

Thursday, June 22, 2023

Wednesday, June 21, 2023

Is the solo model misaligned when capacity for non-projects feels chronically impossible, yet fundamental milestones seem lightyears away? How much is a celebration of what can be accomplished by one person and how much is a failure to involve others along the way?

Tagged: succeed.

Monday, June 19, 2023

Sunday, February 27, 2022

Carpenters: Top of the World

From A Song for You (1972). Caught me by surprise to hear this while looking for something in a local Asian supermarket—my mom used to sing it as a kind of showpiece and even recorded it once in a studio. Listening more closely, I hear for the first time that there’s electric piano everywhere, orchestral strings, and these cool IV-I cadences before the verses start.

Hundred Waters: Particle

From Currency (2017). Starts with delicate acoustic piano tones and chords. I usually find it interesting when to use blocky (predictable) patterns from techno music without the music feeling too repetitive; the constant contrast here makes it always dynamic and alive. Lots of triplets and dotted rhythms throughout, twice used in the melody to create this feeling of continuously moving, dropping (for example, around 57s). The lyrics and melody help evoke a sense of flying, soaring, falling.

Vulfpeck: Back Pocket

From Live at Madison Square Garden (2019). Inspiring to hear a thousand-strong audience sing a complex line in three part harmony. Lots of beatboxing, music via voice and the body. Guitar shredding partially mirrored on voice. Surprising to clarinets at the end in this context. Good vibes, happy times, saudades for live music.

Saturday, February 26, 2022

FAQs – All the Music LLC

[We generated and wrote to disk all mathematically possible melodies, then dedicated them to the public domain.]

Tagged: music.

[To become so centered that anyone coming to you with an opinion simply forgets. You can kill Jesus or Buddha but not push them.]

[Creativity comes easily to those who are loose and natural. Doing anything becomes a creative phenomenon. Touching something turns it into art, saying something into poetry. Even walking is creating a rhythm. Not because of obsession: simply being filled with energy makes you create.]

Much happens but nobody is the doer.

Part of Osho: Tantra — The Supreme Understanding.

Friday, February 25, 2022

Thursday, February 24, 2022

Sunday, February 20, 2022

DUCKWRTH: I’M DEAD

From I’M UUGLY (2016). Time feel for instant body shaking, decorated and supported with seventh chords, bass patterns that repeat with variation, and effects to create contrast between sections. Lyrics slot into the drumming like Lego.

Friday, February 18, 2022

Zventa Sventana: Мужа дома нету

From Мужа дома нету (2019). Combines electronic sounds with folk singing. Lots of cool percussion and odd production details throughout to keep things dynamic (several only occurring once in the whole song). Touches elements of techno music without being too formulaic, might be the combination with various vocal timbres that keeps it feeling alive.